While watercolor has generally been relegated to a second-class status in the art of the west, East Asian artists have mastered this art-form for millennia. Their ability to capture the spirit and life of their subject and their poetic grace in symbolic communication are absolutely unparalleled. 

In contrast to the East Asian watercolor tradition, which focuses on capturing a sense of the living spirit of the subject, the European tradition of scientific illustration prizes precise, realistic representation. In my own work, I marry the two historical traditions through selective focus. 

Global calligraphy traditions are as rich and varied as languages and voices themselves, and I never tire of learning about them! The ancient Chinese painting masters believed that the greatest artwork consisted of the harmonious mingling of the "Three Perfections"—poetry, painting, and calligraphy.

Symbolism was a late 19th century artistic and literary movement which emphasized the poetic use of symbols and metaphors to communicate abstract feelings or truths. Symbolist paintings often feel dreamlike or surreal and may incorporate many different symbols to communicate a feeling or idea. 

My experience as an intern at the historic Judson Studios and my passion for stained glass continue to influence much of my work today. Watercolor and stained glass have a great deal in common, as both possess a unique transparency, translucence, and luminosity unlike any other media.